Showing posts with label parapacific. Show all posts
Showing posts with label parapacific. Show all posts

Sunday, March 11, 2018

Inventory of Our Words

They crack the safes
hidden in our portrait of communication.
an  intercourse of social science,
flooding the streets of civilized city structures,
isolating outstretched pastures beyond urban diction.

We paint the portraits
of expressive thinking.
They map the blueprints
for oratorical robbery.

The rural fires of our desires are diminished.
The ashes scraped into our
six foot deep imagination asylums.

They stock coffins of our ideas
and do inventory on our intentions.

The sky box is shrinking slowly.
A blanket is draped over in refusal.

We stand inside
Eyes up
Heads cocked
In awe.

The sun sinks behind the dirt piles
crafted by spade shovels
that tear away at the grey soil,
like the escape artists
that tear away at our grey matter.

Anchoring our escapes,
we stand in the burial grounds of our words.

Wednesday, December 20, 2017

Night's Turbines

Awake in the presence of Night,
he claims the dreams from me,
and leads me onto my feet.


Noxious whispers clutch my lungs,
and drill madness into my bones.


The mocking shadows hide behind
night’s body, stretching to the yellow walls.


I shoot my arms through Night’s body
and grip the switch of illuminating armor.


The flaring explosion reveals illusions
on walls, portraits of shadows.


Night slithers into the floorboards,
and grinds the turbines of the basement.


Alarmed, I turn
to the looking glass.
Telling tales through my wild eyes.


My scorned memories swimming
in blind sight.


The Lens of Truth tells of Day,
the Achilles legend,
to dispel the Trojan Night,
and calm the Turbines.


And, once again,
Sleep unwinds,
kisses me,

kneeling me before Day.

Thursday, August 31, 2017

Toxic Time Machine

In this barren and hazy asylum,
Of reveries and anxious ruin,
I enter this toxic time machine,
Never knowing where the next trip will lead me,
Senses numb as the motions blur.

Now in the clutches of
the intoxication
spooling
into my steps

In the confusion, she senses
my discomfort and
leads me
away

to the waiting
room irony
synchronized to the dissolution
of her disjointed words

The broken machine to
never shuttle back;
The gears of life
Grind away, wear down

As my heart becomes exhaustive and sluggish,
This dysfunctional time machine
misses its stop by a few milliseconds,

And I lust more for the high of wasted time.

Friday, August 25, 2017

Checkmate

Compressed under violet, grey, and black sky,
I stand atop this solitary stone fortress
that grips to the mountain.


The peak emerges slightly above
the lively, biting shadows,
shaped into mechanical fog covering,
filling the invisible base of the alp
and billowing like binding claws stretched
around the rest of the world.


Beneath my feet, a chess board resides.
The dancing torch flames perform
their ritual on the squares
of  crimson and dead black.


I stand as a lone king
facing an absent enemy.
I chance the frontlines for ghosts
of the yet-to-be.


No brothers in arms take their places.
They, too, are phantoms feeding fear.


My turn is yet to come,
in this specter massacre reflected
only by scaling shadows named for Mt. Iago,
warping earth and ash as it rises.


I make my first move,
and my last,
as the mountain collapses,
darkness clawing me
into

eternity.

Thursday, August 24, 2017

From a Personal Portfolio

Well, again I'm rebooting another blog (and for another surprise, a third is on the way). This time, I decided to use this platform to post some of my personal work through the years.

A majority of it will be a mix of content from my college days and new content that I've been working on as a hobby. While some will get posted on here, the stronger entries will instead be entered into various contests and publications, which is another thing I'm getting back into doing.

Glimpse of the original portfolio. I've come a long way since then.
Basically, I'm sitting on a giant pile of writing over the course of the last five years. Some of it is short fiction while others are works of poetry. I've also worked on several feature articles for a now defunct news source that I'll probably publish on here at some point. Oh, and there are a few short screenplays that I'll probably convert to short fiction (for any easier read). Basically, I'll have something new to post every week.

What's the point of this? Like I said, I'm sitting on a lot of content. I figured it would be a good way to get it out there rather than hoarding it on my computer for the next ten years. I'm not getting any younger, so I need to be more proactive with my writing and what I really want to do with it.

First ever blog/self-publication, circa 2011
The few things that I have published in the past have somehow garnered certain attention. "The Waiting Room", which was written as a social commentary essay/script/short story (it has gone through every format imaginable), was requested at one point to be turned into a stage performance by a student at a university in Australia. I still get emails sometimes requesting the original "full version", which I unfortunately lost after several drafts and rewrites (I'll find it someday).

It just feels so good to know that people are reading and appreciating a true passion of mine, and I'm very thankful to anyone who took the time to read my content.

I may not always have the best stories or the most concise writing. I know I have flaws in my writing and I'm constantly working to improve myself. I believe this will also be a reason to keep working at what I enjoy doing.

Feel free to drop me a line with any suggestions, constructive criticism, etc. I want to remain interactive with this community, no matter how big or small it may be. Because I truly appreciate each individual that would take the time to read my work. You are my motivation to continue on with what really interests me. You and my crazy ideas.

Thank you. Seriously, you guys are great.

Friday, April 19, 2013

The Dead, In Union



Shovels high, shovels low,
Shovels high, shovels low.
Spotlight shines down below,
The tombstone, Jon Doe.


Never lie, never lie,
The shovels
high.


Reveries and fog,
earth and metal claws.
Secrets never show,
in Union, the graveyard
on a
hill.


Never show, never show,
the shovels
low.


A mechanical motion
that chews away.
in One,
in Two,
in Three...


They drip in sweat, fear,
feed the dirt, worms.
the Four,
the Five,
the Six.


Rotted wood exposed,
a heave and a pry
reveals the product,
the vessel, Paradise.


A channel opens,
speaks of life,
breathes the Carrier:

An exhale
of secrets and demons,

of amnesia
eternal,

and artificial
purpose.

The Signal